Andrew
Maske specializes in the arts of Asia, focusing especially on ceramic
art in Japan from the sixteenth century to the present. He is also interested
in artistic connections between East Asian nations, both historical
and contemporary. An added interest is the cultural context of artworks
in Asia, including connoisseurship, collecting, display, performance,
and use.
Dr. Maske received his doctorate in Japanese Art
History from Oxford University. He teaches courses concentrating on
the art of East Asia (China, Korea, and Japan). As a curator of Japanese
art between 1999 and 2005, he developed the exhibition Geisha:
Beyond the Painted Smile, and served as editor and primary author
of the critically-acclaimed volume by the same name. This exhibition
explored Japanese geisha both as the subject of artworks and as performing
artists themselves from the eighteenth century to the present day.
Dr. Maske also played a major role in the Metropolitan Museum of Art’s
2003 catalogue, Turning Point: Oribe and the Arts of Sixteenth
Century Japan, which examined the revolution in Japanese aesthetics
that began in the late sixteenth century. He has published articles
and reviews in Archaeometry, Journal of Japanese Studies, Orientations,
and Transactions of the Asiatic Society of Japan.
During
the seven years he lived in Japan, Dr. Maske studied numerous aspects
of Japanese art and culture, practicing chanoyu (tea ceremony), Japanese
dance, and the instrument shamisen. He is currently completing a monograph
on Japanese tea ceramics, Takatori Ware: Potters and Patrons in Edo
Japan (forthcoming). In 2006-2007 he held a Fulbright research fellowship
in China to study the development of contemporary ceramic art there.
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