DISSERTATION ABSTRACT

Dennis Davis
Humor, Structure, and Methodology in Selected Works by Peter Schickele
(research director: Ron Pen)

Various authors contend that the musical humor of Peter Schickele largely derives from the music itself. His humor, this dissertation will show, is far more complex. An examination of his audience preparation, visual, aural, and theatrical elements, and masterful command of context reveals his complex, organic, and symbiotic methodology for music humor. Like the concept of relativity, Schickele’s humor operates in a dynamic equilibrium that constantly fluctuates to suit the idiomatic needs of each composition.

His arrangements offer a portal for understanding his original, albeit P.D.Q. Bach, compositions. The findings show that humor may function as a structural device, effect prolongation, and exist in layers similar to those found in Schenkerian methodology. This research extends the work of prior authors and offers a new model for understanding, classifying, and categorizing his humor. It also shows how Schickele uses educational strategies to prepare, guide, and control his audience’s reception.

Understanding Peter Schickele’s past is paramount to understanding his success. This research examines how his family, education, and perseverance aided his unique genius. It also explores the numerous musical influences that inspired his development, including the musical humor of Spike Jones.

10/06/2009