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Unit 2 - The Hero's Journey
"Furthermore, we have not even to risk the journey alone, for the heroes of all time have gone before us.
The labyrinth is thoroughly known. We have only to follow the thread of the hero path, and where we had
thought to find an abomination, we shall find a god. And where we had thought to slay another, we shall slay
ourselves. Where we had thought to travel outward, we will come to the center of our own existence. And where
we had thought to be alone, we will be with all the world."
--Joseph Campbell
In his seminal work, The Hero With A Thousand Faces (1948), Joseph Campbell showed that there is a single
archetype for all myths; a single hero and a single journey pattern which emerges in many different versions from
many different cultures. This journey pattern occurs in a cycle consisting of three phases: departure, where
the hero leaves his comfortable and familiar world and ventures into the darkness of the unknown; initiation,
where the hero is subjected to a series of tests in which he must prove his character; and return, in which
the hero brings the boon of his quest back for the benefit of his people.
In this unit we will study Campbell's hero's journey pattern, and the fundamental psychological transformation
that it represents in the lives of everyone. Our study will include the popular film Spiderman and the
television series Buffy the Vampire Slayer as a modern examples of the hero's journey, and Peter Parker and
Buffy Summers as modern heroes. How does the hero's journey define what makes a hero? How do these films address
the journey pattern as defined by Campbell? How do the film's heroes meet the challenges of the quest?
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Joseph Campbell 1904-1987
Joseph Campbell's seminal work THE HERO WITH A THOUSAND FACES (1948) broke new ground for scholars in many
disciplines, and established him as the world authority in mythology. In it he presents the definitve archetype
of all myth: a single hero and a single journey pattern, which emerges in many different versions from many
different cultures.
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