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Most media work surrenders itself to the viewer via the screen. I prefer to install my works in spaces that are either very large in order to break the viewing plane sculpturally or in very small, intimate spaces which require the viewer to bend, stretch or be uncomfortable in order to access the work. My desire to manipulate the viewer’s body in space comes from my background in dance. For me interactivity is to make people move their bodies in relation to my work.
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