A-H
322 Byzantine Art and Civilization
Spring, 1999
e-Syllabus
This is an electronic version
of the syllabus distributed in class, suitable for downloading.
The information contained herein is substantially the same as that in hard
copy but has been
modified to suit the electronic format,
including provision
of links, etc.
When changes in the schedule occur,
they will be noted in this bright color at the relevant date and topic,
so if you're not sure about a change, check out this version of the syllabus.
Last updated 25 April, 1999.
(Click here to go right to the schedule.)
Christine Havice, Associate Professor
Office Hours: Monday & Thursday 1:30-3:15pm.
201A Fine Arts Building (257-2303) and
by appointment
If not in Art office, check in Associate Dean's office
across the hall, 202 Fine Arts (257-8201)
e-mail: havice@pop.uky.edu
Mailbox in Art Department Office (207 FAB), UNDER name label
OR in folder pasted on my door, 201A FAB
Course goals:
There are two broad categories of goals for this course. The first consists of general skills you are to sharpen that you will use in this and other art history courses, as well as other kinds of classes. The second category consists of content-specific goals that reflect what I think it valuable for you to learn and understand about Byzantine civilization, its art, its artists and art-consumers, and its history. These are listed in considerable detail on the goals page of the syllabus so that you can understand the aims of the course and use the goals to understand how particular activities and criteria fit in. You should also use these goals from time to time as a yardstick to evaluate your own progress as well..
Generally speaking, when I grade your work, I look for evidence of real learning, of improvement in your level of skills, and of solid effort that attests to your interest in exploring ideas and increasing proficiency rather than just putting in time in order to get by.
Course structure:
We will meet in mixed lecture and discussion format throughout the semester, alternating straight lecture presentations with small-group work, discussion of assigned reading or other work, and in-class writing and problem-solving; in-class work that is missed cannot be made up. Accordingly, I expect all of you to attend and to come prepared to participate regularly; more than two absences (which equals a week's work) for other than University-approved reasons will adversely impact your participation grade. On several occasions we will meet in Special Collections or another site on campus for special instruction; on Orthodox Easter, you will have the option of attending a service in which you can experience icons within the context of the living tradition of the liturgy.
Plan to arrive on time and to stay for the full length of the class in order to benefit fully from this structured time together. On occasions when you must miss class or arrive after initial announcements are made, it is your responsibility to pick up any handouts distributed and to inform yourself of those same announcements. You should also find e-mail helpful for such keeping current.
Outside of class, I expect you to complete assignments and to keep up with reading and individual/team work. Make use of time out of class for individual consultation, supplemented with contact possibilities afforded by e-mail, the class listserve, and our website (information further on) so that you can continue to work and learn independently regardless of weather or other distractions.
Requirements:
E-Mail Account: You must have an e-mail account to use in connection with this course (if you do not already have one, you are entitled to a University account as a UK student; you may also use any other e-mail account, such as aol.com or mci.com). I use e-mail a great deal for individual and group communication and consultation, particularly when real-time contact is not imperative but some type of contact is.
Class Listserv: Once you have an e-mail account, you need to subscribe to the class listserv, AH322CLASS, in order to participate and receive postings. I use the listserv quite a bit to supplement class time, particularly for housekeeping tasks, reminders, follow-ups for things like questions raised in class or clarification, changes, directions, and other types of elaboration that may not have happened during our time together. You can use the listserv to raise your own questions, share your ideas, comments, and views with your classmates, as well as to communicate particular matters that may pertain to your research or group work.
To subscribe to the class listserv from your e-mail account, send the following to LISTSERV@lsv.uky.edu in the message line (body of text): SUB AH322CLASS firstname lastname (insert your own names in those positions). You will then receive a message verifying that this is what you wish to do, and asking for your reply "OK"; then the listserv will automatically take some steps to subscribe you to the list. You will finally receive confirmation that you are subscribed, including some instructions to refer to for various ways to use the list and to deal with typical problems.
PLEASE NOTE: Anytime that you write, or reply, to the list, your message goes to everyone else on the list, so you can think of it as a virtual-time public conversation. Items that you wish to direct to a single individual -- teacher or classmate -- should not be addressed to the list but to that individual's particular e-mail address.
Communication and Effort: Please use e-mail, the listserv, this class Website, and my office hours, as well as other means of communication such as course materials and your classmates, to make this class a successful learning experience for yourself. I can assist you if you make a good-faith effort and take significant responsibility for your own learning. I do not give grades; your work earns them.
Evaluated Work: Your course grade will be based on four main elements: attendance and participation in in-class work (discussions, team work, in-class writing); weekly quizzes (some announced, some pop) a staged research paper (including bibliography and an abstract of one of the articles used); and a final examination during finals week.Grade distribution for evaluated work will be as follows:
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Attendance and participation (in-class work, short-term assignments) |
25% |
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Weekly quizzes (10 best of 13) |
30% |
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Staged paper (abstract, bibliography, outline) |
25% |
| Final essay exam (you must pass final to pass the course) | 20% |
Required texts:
John Lowden, Early Christian and Byzantine Art (Phaidon, 1997)
Cyril Mango, The Art of the Byzantine Empire, 330-1450: Sources and Documents (Univ. of Toronto, 1986).
Thomas F. Mathews, Byzantium from Antiquity to the Renaissance (Prentice-Hall, 1998)
Other short-term assignments in works held on reserve in the Art Library will be made over the semester (see schedule below).
A-H 322 and University Studies:
A-H 322 is paired with HIS 546, Byzantine History, to satisfy the USP Cross-Disciplinary requirement. If you plan to take these two courses to satisfy this requirement, save your notes and basic text books from the first course for the semester in which you take the second course of the pair. Check with me if you plan to fulfill or are currently fulfilling this requirement; I can provide some suggestions on how to make this pairing work for you as USP envisions. Click here for further information on the University Studies Program.
Please bring Mango to class each time an assignment is made in it; for other texts, please bring when asterisked.
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Date(s) |
Topic(s) |
Readings, art study, assignments** due etc. |
| January 14R |
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January 19T 21R
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Earliest Christian Art: New Wine in Old Bottles; Christian Art after the Edict of Tolerance |
*Lowden: cap.1, 9-60; handout start of timeline Check out these on-line images from Dumbarton Oaks of Late Roman and Early Christian works of art Chronology: check out this on-line list of Roman and Byzantine emperors from Augustus onward Trial Quiz (Quiz#1) on Thursday |
| January 26T |
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| January 28 R |
For a brief history of the reign
of the Emperor Justinian, check out this site from Ohio State. Images of early textiles from
Byzantium and Quiz (Quiz #2) on Thursday Completed worksheet
on Imperial imagery due
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Try this link the
liturgy (worship service) created by John Chrysostom and still in
use in Orthodox churches;
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February 4R |
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For Thursday's quiz, click here
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| OK FOLKS: FROM THIS POINT ONWARD (Thursday afternoon, 4-II-99), |
I'M GOING TO ADJUST THE e-SYLLABUS TO THE REAL SCHEDULE WE'RE FOLLOWING HERE; |
SO IT WILL LOOK, SCHEDULE-WISE, A LITTLE DIFFERENT FROM YOUR PRINTED SYLLABUS IN ORDER TO CORRESPOND WITH THE SCHEDULE WE ARE NOW FOLLOWING - - - - - - - - - - -> |
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February 9T |
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Lowden: in cap.2, pp.84-95; Handout
on books of the Bible, worksheet on manuscripts
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February 11R |
Art and Meaning in the Church,
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Quiz#4 ; discuss analysis of saint's life assignment |
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February 16T |
No ClassMeeting |
Use time to work on analysis of saint's life, think about research topic
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February 18R |
Meanwhile, back in the West...: Church Architecture and Decoration in Ravenna |
*Lowden: cap.3, 101-144; Mathews: cap.4, 96-106; Mango: 32-44 (decoration and other types of imagery, religious portraiture, opposition to religious imagery) ; |
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February 23T |
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Mango: 132-140 (secular and religious painting, anecdotes from various sources); 140-141 (religious painting, images as propaganda) Analysis of saint's life due (click here to review your submissions)
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February 25R |
Iconoclasm , pt.1 and pt.2 |
*Lowden: cap.4, 145-184; Mathews: cap.2, pp.55-57, 57-65; Mango:150-165 (events during Iconoclasm), 165-177 (Iconoclastic and Iconodulic positions)
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March 4R |
The Fiction of Continuity: Churches and their Images after Iconoclasm |
*Lowden: cap.5, pp.185-199; Mathews: cap.1, 32-39; Mango: pp.187-190, 191-192, and 192-201 Notice of selection of research topic due
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March 9T |
The Fiction of Continuity: Manuscripts and Other Luxury Objects in the Ninth and Tenth Centuries
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*Lowden: cap.5, pp. 185-226; Mango: pp.210-215. For some images of Middle
Byzantine objects now at Dumbarton Oaks:
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March 11R |
The Palace and Emperor
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Mathews: cap.3, pp.73-95; Mango: 184 (Chrysotriklinos), 204-210, 234-235 (secular art) For the full account that Liutprand of Cremona sent back to Otto the Great in Germany: Check your mailbox -- I've sent you a set of research guidelines (also available here on our website) to help you along with the process.
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(March 16T 18R March 23T 25R
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Lowden: cap.6, pp.227-270; Mathews: cap.4, pp.106-135; handouts: Demus' description of the Middle Byzantine Decorative system , Outline of the Orthodox Liturgy Preliminary Bibliography for paper due Mar.25 List of citations of primary sources due
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March 30T April 1R |
Icons and Contexts of Veneration |
Mathews: cap.2, pp.65-70. The Akathistos Hymn is the great song of praise for the Mother of God in the Orthodox rite and an important source of images that turn up in art; the full text of the hymn is available at this link
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Manuscripts, Commissioners, Artists and Workshops |
*Lowden: cap.7, pp.271-306; The Painter's Manual (on reserve) Apr.1 Comparison of 2 works for paper due
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April 13T
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Impact of Byzantine Art outside of Byzantium, II: Ruš and Venice
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*Lowden: cap.8, pp.307-346; Mathews: cap.5, pp.137-151; Mango: pp.239-240 (Deed of Concession to the Genoese…); Handout: The Conversion of Ruš; Mango: pp.221-224 (Byzantine Artists at Kiev), 237 (paintings in St. Sophia, Novgorod). This link for a view of an important
moment of conflict between Byzantium and Rus from the Russian
Primary Chronicle
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April 15R
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Impact of Byzantine Art outside of Byzantium, III: Sicily |
Continue per above For today's quiz and some sample answers
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April 20T |
Later Byzantine Monumental Art; the Fourth Crusade , and Thirteenth Century Art |
Lowden: cap.9, pp.347-386; Mango: pp.252-254.
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April 22R
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Return of the Byzantine Emperors and the Kariye Camii
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Lowden: cap.10, pp.387-407, 418-424; Mango: pp.245-247, 249, 254-255; Mathews: in cap.1, pp.40-41, and in cap.5, pp.151-156. Some very important works of Palaeologan art are held at Dumbarton Oaks in Washington DC: Research Paper due For today's quiz and some sample answers |
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April 27T
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More Palaeologan Art (XIV-XVth centuries)
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Lowden: cap.10, pp.407-418; Mango: pp.250-253; read J. Lafontaine-Dosogne, "The Life of the Virgin Cycle" or "The Infancy Cycle" in The Karyie Djami, IV (on reserve) and look at the relevant mosaics in vol.I. These are the basic texts on Hesychastic spirituality
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April 29R |
The Tradition of Orthodox Art after Byzantium |
Mathews: cap.5, pp.157-163; Mango: pp.253-254, 255-259. |
Final Examination Tuesday, May 4, 8:00 am, in our regular classroom;
please bring 1-2 bluebooks
**For assignments, please note:
Any written assignment this semester can be submitted electronically to
me. Formal assignments must be submitted in good form (that is, as finished
as they would be were they submitted in hard copy). To avoid software problems
across platforms, DO NOT ATTACH documents; rather, cut and paste them into a
regular e-mail message and send normally unless you and I have already
agreed otherwise in discussion of software compatibility.
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