As You Like It

Research Images

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These images, although not complete, constitute some of the research for my costume design in the

University of Kentucky production of As You Like It.

Each image is a thumbnail. If you need or wish to see a larger image, simply click on the image.

Many of the following images were used for inspiration. That means they helped understand the period and reflect the mood and story of the play. In addition, there is information about clothing, color, and texture. See individual notes accompanying the images.

There are a number of scenes and factions in the play. There is life in Duke Frederick's court and life in the Forest of Arden. Life in the forest is two-fold. First there are those characters that live in the forest such as Corin, Silvius, Phebe, and Audrey. Then there are those banished individuals that live in the forest such Rosalind, Celia, Touchstone, and Duke Senior's court. These individuals "play" at living in the forest.

The Indifferent Man / The Artful Girl

by

Antoine Watteau

Textures, fabrics, clothing.

The Anxious Lover

by

Antoine Watteau

Texture, rich color, clothing.

The Lesson in Love

by

Antoine Watteau

Clothing, life in the forest.

Gathering in a Park

by

Antoine Watteau

Highly reflective fabrics, rich color palette, clothing.

Venetian Pleasure

by

Antoine Watteau

Clothing. High contrast of the color palette.

The Perspective

by

Antoine Watteau

Clothing. Contrasts of color, textures.

Country Amusements (detail)

by

Antoine Watteau

Clothing, textures, color.

French Players

by

Antoine Watteau

This painting was the banishment of Rosalind. It nicely represented the court of Duke Frederick.

Ultimately, I used the color palette on the three prinicpal characters, although Celia's gown became more violet.

Morning, Bathing Women

by

Joseph Vernet

This painting, while not in the play, was how I saw the life these characters might have lived in the forest: bathing and laundry in this river.

The Shepards

by

Antoine Watteau

Life in the Forest of Arden for members of the Duke's court.

Clothing.

Les Plaisirs du Bal (detail)

by

Antoine Watteau

This painting suggested life in Duke Frederick's court. While the mood here is too warm and inviting, I liked the palace setting with the forest nearby.

The Shepard's Idyll

by

Francois Boucher

These two paintings by Boucher suggest life of the shepards and folks already living in the forest.

The Washerwomen

by

Francois Boucher

The Declaration of Love

by

J. F. de Troy

Clothing. Life in Duke Frederick's court (colors are too warm).

The Rendevous

by

Jean-Honore Fragonard

The Pursuit

by

Jean-Honore Fragonard

These three paintings struck me as the life the lovers found in the Forest of Arden. They also provided information about clothing.

The Lover Crowned

by

Jean-Honore Fragonard

 

These images were related to specific characters or provided detailed information about clothing of the period.

Vertumnus and Pomona

by

Jean Ranc

This painting provided great detail about the cut and trimming of the women's bodices. I also felt it demonstrated the simplicity of 18th century women's clothing. The simplicity is contrasted with the texture of the satin giving it a rich look that I wanted for the forest..

Portrait of Antione Paris

by

Hyacinthe Rigaud

This portrait suggested the character of Duke Senior.

 

 

Portrait of the Marquise d'Anton

by

Jean-marc Nattier

Rosalind.

Simon Lutterel of Lutterelstown

by

Liotard

Clothing, Duke Senior.

The House of Cards

by

Jean Simeon Chardin

Rosalind in disguise.

Young Girl reading a Letter

Jean Raox

This painting made me think of Celia in the Forest of Arden. I also felt the painting suggested something of life there: the candle light, the sentiment in relation to Rosalind's note son the trees.

Mezzetin

by

Antoine Watteau

Touchstone.

La Belle Strasbourgeoise

by

Nicolas de Largillierre

The director created a non-speaking charater to be Duke Frederick's mistress. I felt this woman could have been that character.

 

The following images are primarily images of the clothing of the period. they provide specific information about the cut and construction of clothing of the early 18th century.

Gown with muslin apron, and hat, 1730.

artist unknown.

 

Lady wearing a mantua w/ black draping.

by

Gravelot

Fashion Plates.

1727

Clothing details, early 18th century.

Cutting diagram

Sack Dress, 1740-50.

Women's clothing, c. 1750-60.

Detail, men's clothing

1740.

Men's clothing

1729.

Men's clothing

early 18th century.

Cutting detail, man's coat

1720-7.

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