
The Indifferent Man / The Artful
Girl
by
Antoine Watteau
Textures, fabrics, clothing.
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The Anxious Lover
by
Antoine Watteau
Texture, rich color, clothing.
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The Lesson in Love
by
Antoine Watteau
Clothing, life in the forest.
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Gathering in a Park
by
Antoine Watteau
Highly reflective fabrics, rich color
palette, clothing.
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Venetian Pleasure
by
Antoine Watteau
Clothing. High contrast of the color
palette.
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The Perspective
by
Antoine Watteau
Clothing. Contrasts of color, textures.
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Country Amusements (detail)
by
Antoine Watteau
Clothing, textures, color.
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French Players
by
Antoine Watteau
This painting was the banishment
of Rosalind. It nicely represented the court of Duke Frederick.
Ultimately, I used the color palette
on the three prinicpal characters, although Celia's gown became more
violet.
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Morning, Bathing Women
by
Joseph Vernet
This painting, while not in the play,
was how I saw the life these characters might have lived in the forest:
bathing and laundry in this river.
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The Shepards
by
Antoine Watteau
Life in the Forest of Arden for members
of the Duke's court.
Clothing.
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Les Plaisirs du Bal
(detail)
by
Antoine Watteau
This painting suggested life in Duke
Frederick's court. While the mood here is too warm and inviting, I
liked the palace setting with the forest nearby.
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The Shepard's Idyll
by
Francois Boucher
These two paintings by Boucher suggest
life of the shepards and folks already living in the forest.
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The Washerwomen
by
Francois Boucher
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The Declaration of Love
by
J. F. de Troy
Clothing. Life
in Duke Frederick's court (colors are too warm).
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The Rendevous
by
Jean-Honore Fragonard
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The Pursuit
by
Jean-Honore Fragonard
These three paintings struck me as
the life the lovers found in the Forest of Arden. They also provided
information about clothing.
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The Lover Crowned
by
Jean-Honore Fragonard
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These images were related to specific characters
or provided detailed information about clothing of the period.
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Vertumnus and Pomona
by
Jean Ranc
This painting provided great detail
about the cut and trimming of the women's bodices. I also felt it
demonstrated the simplicity of 18th century women's clothing. The
simplicity is contrasted with the texture of the satin giving it a
rich look that I wanted for the forest..
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Portrait of Antione Paris
by
Hyacinthe Rigaud
This portrait suggested the character
of Duke Senior.
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Portrait of the Marquise d'Anton
by
Jean-marc Nattier
Rosalind.
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Simon Lutterel of Lutterelstown
by
Liotard
Clothing, Duke Senior.
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The House of Cards
by
Jean Simeon Chardin
Rosalind in disguise.
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Young Girl reading a Letter
Jean Raox
This painting made me think of Celia
in the Forest of Arden. I also felt the painting suggested something
of life there: the candle light, the sentiment in relation to Rosalind's
note son the trees.
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Mezzetin
by
Antoine Watteau
Touchstone.
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La Belle Strasbourgeoise
by
Nicolas de Largillierre
The director created a non-speaking
charater to be Duke Frederick's mistress. I felt this woman could
have been that character.
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The following images are primarily images
of the clothing of the period. they provide specific information about
the cut and construction of clothing of the early 18th century.
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Gown with muslin apron, and hat, 1730.
artist unknown.
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Lady wearing a mantua w/ black draping.
by
Gravelot
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Fashion Plates.
1727
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Clothing details, early 18th century.
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Cutting diagram
Sack Dress, 1740-50.
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Women's clothing, c. 1750-60.
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Detail, men's clothing
1740.
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Men's clothing
1729.
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Men's clothing
early 18th century.
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Cutting detail, man's coat
1720-7.
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